Verroken interprets the functional aspects of his furniture as broadly as possible within the context of the total design. In this, functionality does not entail merely the pure physical utility of the furniture project. Its sculptural aspects also belong within a complete definition of the term ‘function’, such as those employed in this instance. It is by this means that he achieves a certain universality that goes beyond the present time… .

Paul Huylebroeck in ‘De wereld van André Verroken in twee dimensies’, Gazet van Antwerpen, 13 January 1990